Tom DeLonge compares streaming music online to killing elephants

The Blink 182 frontman makes a dramatic, dubious statement regarding the value of his work

Ella Alexander
Sunday 23 November 2014 12:58 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Blink 182 frontman Tom DeLonge has likened streaming music to killing endangered animals.

The pop-punk band headlined Reading and Leeds this summer.

“I tell people condoning streaming is like condoning the Chinese that are killing elephants for their tusks and carving ivory statues,” he told Faster Louder.

“It’s cool to put on your shelf but if you really think about what you’re doing it sucks. Streaming music is doing the same thing to artists – might not be killing them but it’s killing the industry.”

The musician releases his new album with Angels & Airwaves, The Dream Walker, on December 8.

He asserted that the consequences of streaming should be better considered.

“It might be cool for you as somebody that likes music but you’re not really thinking about the effect it has,” he said. We’ve got to value our art, you know?”

Taylor Swift also recently spoke against music streaming, withdrawing her work from Spotify amid widespread criticism from fans.

Although she argued she does “want to be part of progress”, the singer does not believe music should be free.

“I felt like I was saying to my fans, 'If you create music someday, if you create a painting someday, someone can just walk into a museum, take it off the wall, rip off a corner off it and it's theirs now and they don't have to pay for it,” she said.

“I didn't like the perception that it was putting forth and so I decided to change the way I was doing things.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in