Glastonbury 2022: Six of the biggest talking points from the Worthy Farm festival

“My childhood was small, but I’m gonna be big!” These were the words promised on Fontaines DC’s debut album. With a steady build in the last few years and then one gigantic swoop of success following their No 1 album, this year’s Skinty Fia, the band have become just that. And on a hot Sunday afternoon at Glastonbury, the swarm of twitching fans who buzz around the Other Stage only serve to reaffirm it. A true showman, frontman Grian Chatten – wearing his usual Pogues T-shirt – throws his arms upwards to summon a cheer. The Dublin-formed group have landed a tough time slot, clashing with Diana Ross in the Legends Slot over on the Pyramid. It’s testament to their fearsome reputation as a live act that they’ve attracted such a huge crowd.

Now three albums deep, the five-piece have been at the forefront of the recent rock resurgence. They’ve also stubbornly resisted categorisation, instead defining themselves by Chatten’s sharp, observational lyrics and their intense, driving instrumentation.They throw out a few numbers from their 2019 debut, Dogrel, along with the sonically moodier, yet lyrically hopeful tracks of follow-up A Hero’s Death. Usually an unflinchingly cool collective, they can’t help but grin as mosh pits broil up in front of them. At the cue of “Jackie Down the Line”, a sea of sticky bodies bash into one another. Fontaines won’t be dying a death any time soon.

For a Noughties pop lover, there is simply nowhere else to be right now than at the Avalaon Stage for McFly...

We’ll die defending our queen!

For those of us not at Worthy Farm, here’s some photos from Glastonbury to really rub in the FOMO.

I know we’re living in an age of nostalgia, but even I (a former superfan) am shocked how big the crowd for McFly’s first Glastonbury set is.

You’ve got to give it to ‘em. Almost two decades since the sort-of-pop, sort-of-emo band burst into the scene with their debut single “Five Colours in Her Hair”, the four-piece have packed out the Avalon stage at Worthy Farm.

Things kick off, surprisingly, with “Red”, giving the band a chance to flex their live guitar skills. More rock-heavy deep cuts follow straight after: “Song for the Radio”, “Lies”. It’s some of their best material, but you can tell the audience is impatient for the hits. I think I might be the only person in a 10-metre radius singing along.

At least the band are self aware. “If you enjoyed that, we’re Mcfly. But if you didn’t enjoy that, we are Busted,” the crowd are told, before a rendition of “Obviously” that perks everyone up no end. A trio of crowd-pleasers follows: “All About You”, “Room on the Third Floor” and the band’s cover of “Don’t Stop Me Now”.

“Star Girl” gets the biggest reception for its eternally juvenile lyric: “There’s nothing on earth that could save us/ When I fell in love with Uranus.” Anything post-2008 falls a little flatter.

In short: a perfect McFly set for me, specifically. Others in the audience were left wanting more.

Donning a blonde dye-job and pink tights, Lorde is on the Pyramid Stage delivering the crowd-pleasers! Tune into BBC iPlayer now to catch “Buzzcut Season”...

Lorde has brought out Clairo and Arlo Parks for a group performance of “Stoned at the Nail Salon”!

“Shall we dance for our angsty 15-year-old selves tonight?” Lorde asks the crowd before launching into her 2013 smash hit “Ribs”, which, yes, she wrote when she was 15!

Another special guest may be on the way for Lorde’s set, with Charli XCX teasing a potential duet of “Royals”.

As the belated 50th anniversary celebrations of Glastonbury draws to a close, festival-goers, crew-members and artists share their verdict on the long-awaited weekend. Music correspondent Megan Graye reports from Worthy Farm