Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Director of Sinead O’Connor documentary ‘devastated’ at singer’s death

‘Nothing Compares’ will be released on Sky Documentaries and streaming service Now on Saturday

Luke O'Reilly
Wednesday 26 July 2023 23:46 EDT
Sinead O'Connor dies, aged 56

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The director of a documentary about Sinead O’Connor’s life has told of the impact the singer had on her.

The “Nothing Compares 2 U” singer has died at the age of 56. Her death was confirmed by her family in a statement provided to BBC News.

“It is with great sadness that we announce the passing of our beloved Sinéad,” it read. “Her family and friends are devastated and have requested privacy at this very difficult time.”

No cause of death has been disclosed.

Director Kathryn Ferguson, who made a documentary called Nothing Compares about O’Connor’s life, told BBC Radio 4’s Front Row show on Wednesday (26 July) that she was “devastated” to hear the news of the singer’s death.

“I just found out an hour ago. I’m devastated to hear the desperate news about Sinead,” she said.

“Our film, really for me, it was a love letter to Sinead. It was made over many, many years. And made because of the impact she had made on me as a young girl growing up in Ireland.”

Ferguson said that she first came to know of O’Connor through her music.

She said: “It was through her music, my father introduced me to Sinead’s music in the late 80s, her album The Lion And The Cobra was played on repeat as we drove around Belfast in the late 80s, and it became this visceral soundtrack to my childhood.

“Then in the early 90s my friends and I really discovered her for a second time and could really see how she looked, heard what she had to say, and she became this huge icon of ours, and someone we were so proud of.”

Ferguson said that it was soon after she discovered O’Connor that the backlash against the singer began.

Speaking to The Graham Norton Radio Show on Virgin Radioon Sunday, the director said that one of the focal points for the documentary was the moment the singer tore up a photo of Pope John Paul II during an appearance on Saturday Night Live in 1993.

Ferguson said the documentary examines “why things happened as they did”.

“Well, we always had the plan to tell this part of her story, which really focuses in from 1987 to 1993,” she said.

“We really wanted to look at why things happened as they did, ie, the horrendous fall like that happened after she ripped up the picture of the Pope on Saturday Night Live in 1993.

“And the reason for that was just that it seemed to cause so much confusion at the time.

“And so much of our film is about trying to go back and look at the cause and effect, really, behind why she did that, and why it was such a political powerful act. But why she was treated the way she was afterwards as well.”

Ferguson said that O’Connor was labelled a “devil” after she tore up the picture.

“She really was. I mean, there was very much an attitude of burn the witch, post that act on Saturday Night Live. And I think it’s that part of the film where you can actually hear audible gasps in the audience, because it’s still very horrifying.”

Given a small cinematic release last year, the documentary will be released on Sky Documentaries and streaming service Now on Saturday.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in