Letter: Art versus life

Dave Godin
Saturday 11 April 1998 19:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

NEARLY all "art" cinemas in Britain operate through charitable trusts with considerable advantages over the private sector, such as lower business rates ("A tear-jerker at the movies", Business, 5 April). Most receive grants from the British Film Institute as well as subsidies from local authorities, regional arts organisations and EU funds. In effect, the non-mainstream sector is already the beneficiary of considerable public subsidy. It is hardly surprising that the multiplexes have to operate in a far more market-forces driven manner.

If the BFI is serious about its statutory remit to encourage the art of film, then it should offer multiplexes a similar financial incentive for any foreign language films they show. After all, a glance at the listings of our nationwide "art" cinemas shows that they too frequently show a considerable quantity of films which have also played the multiplexes, but nobody seems to comment on this wasteful and unnecessary use of their facilities.

One should also bear in mind that a considerable proportion of "commercial" movies are in reality, commercial failures.

Dave Godin

Sheffield, S Yorks

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in