Guy Adams: Did the Earth move for you, darling?

LA Notebook

Wednesday 17 December 2008 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Even in the most unctuous Hollywood circles, few would disagree that Keanu Reeves is a bad actor. Bad acting has become his trademark: something he embodies in the way that, say, Howard Hughes embodies reclusiveness, or David Hasselhoff embodies delusion.

This hasn't done Keanu much harm, either. Yesterday, I picked up Variety to find him beaming from the front page, next to the words "Alien Invasion!" His new flick, The Day the Earth Stood Still, had topped the week's box-office charts.

The film's a poor remake of a workmanlike 1950s sci-fi movie. Its reviews were awful, with headlines like "Why on Earth did they bother?" and "The Day the Actors Stood Still." Pundits said Reeves was at his most robotic and wooden. Yet audiences lapped it up, to the tune of almost $40m.

It's not the only critical flop doing great business, either. Second in the charts is Four Christmases, a Reese Witherspoon comedy which The Chicago Tribune called "eerily unfunny", and The Washington Post declared: "Several maraschino cherries short of a fruitcake."

Meanwhile, the most eagerly awaited films of the year are being rushed into cinemas in advance of Oscars deadline, and America could barely care less. Baz Luhrmann's epic Australia is flirting with flop status, having recouped only $30m of its $120m budget. The excellent Milk and Slumdog Millionaire have managed just ninth and 11th in the charts.

In short, audiences seem to be taking collective leave of their senses. There's a historical explanation for this: during the last Great Depression, Hollywood experienced a "golden era," when crowds flocked to cinemas in their millions. Yet for most of the period, they watched dreadful old rubbish.

Contrary to popular belief, the era's finest films – His Girl Friday, Citizen Kane, and Casablanca – weren't actually produced until the 1940s, once America's economy was back up and running again.

All of which means the coming years could turn out to be hard going indeed – unless, of course, you happen to like Keanu Reeves.

You really shouldn't have...

Christmas party season acquaints me with a new Americanism: "potluck". The word refers to a neighbourly event when each guest is expected to bring a plate of food. Its derivation is unknown, though cynics say it refers to your chances of contracting food poisoning from the subsequent buffet.

Her indoors

Tom Cruise's endless round of television interviews took him to NBC's Today programme on Monday, where he was asked if he might soon add to his brood of offspring. "I think that's a question for the woman," came his reply. Such a charming way to address Katie Holmes!

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in