Geoffrey Macnab: Venerable filmmakers show the benefits of experience in Oscar nominations

Geoffrey Macnab
Tuesday 24 January 2012 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

There is a back-to-the-future look about this year's Oscar nominations. Venerable nominees – like Martin Scorsese, Woody Allen, Max von Sydow and Terrence Malick – are names you could have found on an awards list from a quarter of a century ago. Teen audiences may dominate the multiplexes but certainly no one can accuse the Academy of ageism.

And this year's Oscar list is far more adventurous than might have been anticipated. The Oscar voters have demonstrated more of an appetite for "art" films than many of the critics. Malick's Tree Of Life, snubbed by the Golden Globes, is up for a Directing award. Albert Nobbs, the heartrending film directed by Rodrigo Garcia (son of Gabriel Garcia Marquez), in which Glenn Close plays a butler and passes herself off as a man, has three nominations. Demian Bichir has beaten out many more-heralded names to secure his Best Actor nomination for A Better Life.

Tinker Tailor Soldier Spy has come in from the cold after the Globes' snub of the John Le Carré adaptation. Gary Oldman's inscrutable George Smiley clearly impressed the Academy.

The Brits may not have secured as many nominations as they had hoped (with Michael Fassbender and Tilda Swinton missing out) but the British influence is still felt. Colin Welland-like flagwavers can at least bask in the reflected glory of films from Scorsese's British-shot Hugo to The Iron Lady.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in