John Walsh: For Roth, Newark is the home of the archetypal American life

 

John Walsh
Friday 22 March 2013 16:17 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

William Faulkner wrote several works about the fictional Yoknapatawpha County. Steinbeck mined the possibilities of his native California in the “Dustbowl” years of the Depression. But we have to look back to James Joyce and his love-hate relationship with Dublin to find an equivalent of Philip’s Roth attitude to his birthplace, Newark.

Joyce left Dublin in his 20s, never to return, but Dublin’s streets, houses and characters became the setting for everything he wrote.

Roth grew up and went to school in Newark, but once he moved to college, he never returned. He wrote about his hometown obsessively, though.

Newark appears in two novels of his wonderful late-flowering trilogy, American Pastoral and I Married a Communist (the third, The Human Stain, is set in Massachusetts.) Each features a character who grows up in Newark but has to leave after becoming embroiled in a historically significant conflict. In Pastoral, Seymour Levov’s daughter Merry bombs a post office in protest against the Vietnam War; in Communist, Ira Ringold becomes a furious, anti-establishment Marxist at the time of the McCarthy witchhunt.

The Weequahic district of Newark is seen in the former book as the birth-place of the archetypal American life of family ties and fulfilment, before Vietnam protests and social or racial unrest ruin everything.

A new documentary, Philip Roth: Unmasked, airs on the PBS “American Masters” TV series on Friday. You can search it in vain for Roth’s memories of real-life Newark, which are at best perfunctory; but the Newark of his imagination is available to all his readers. And has been for 50 years.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in