Digital music sales fail to offset piracy losses

Nick Clark
Wednesday 05 January 2011 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Music sales tumbled last year despite a rise in digital revenues, highlighting the industry's failure to get to grips with illegal downloading.

Sales of albums and singles in 2010 fell 7 per cent from a year earlier to 119.9 million, according to figures released by the British recorded music industry body BPI yesterday.

While digital album sales rose almost a third to 21 million, CD albums fell from 112.5 million to 98.5 million.

The picture was rosier in the singles market, which hit record sales of 161.8 million, 6 per cent higher than a year earlier. In the last week of 2010, the number of singles downloaded breached the 5 million mark for the first time. Digital sales represented 98 per cent of single sales for the year.

Geoff Taylor, BPI chief executive, said that while the growth in digital sales was positive, "legal downloads are unable to offset the decline in CD sales because they are dwarfed by illegal competition". He said that "meaningful action to tackle illegal downloading remains absolutely critical if we are to stabilise British music sales, let alone return to growth," adding that otherwise investment in digital services and British musical talent would dry up.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in