Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Napoleon's sister is the ideal face of female beauty

Michael Day
Tuesday 05 July 2011 19:00 EDT
Comments
(AP)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In a beauty competition with a difference, the Italian public has chosen a marble rendition of Napoleon Bonaparte's sister as their ideal depiction of female beauty.

And in coming top in the poll of over 1,000 Italians, Canova's early 19th-century sculpture, Paolina Borghese, beat celebrated female figures painted by Botticelli, Titian and Hayez – and left Leonardo's Mona Lisa for dead.

Fabio de Paolis, of the Marilena Ferrari Foundation, which commissioned the survey by the research group Censis, said it showed the enduring popularity of the classical depiction of female beauty.

"There were 22 depictions of Venus among the most popular works of art, which says something about the popularity of classical female forms," he said.

Canova's sculpture, in which Paolina Bonaparte is shown as Venus reclining on a chaise lounge, gives the subject an elegance and composure of the works of ancient Greece and Imperial Rome. Dr Rossana Pittelli, of the Italian Cultural Institute, noted, however, that despite her classical depiction, Napoleon's sister was actually "a bit of a rebel".

The award for most aggressive women in art was shared by Titian's Salome with the Head of John the Baptist and Caravaggio's Judith Beheading Holofernese.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in