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‘If he sees me, he’s going to shoot me’: Fearless photojournalist braves death to capture image of Dallas gunman

Images provide rare perspective of someone in path of immediate danger

Eli Rosenberg
Wednesday 19 June 2019 09:27 EDT
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Dallas resident films moment gunman shoots outside federal court

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A gunman clad in a mask, tactical gear and high-powered rifle opened fire outside a federal building in Dallas on Monday, causing alarm and panic but no injuries before the man was fatally shot by the police.

The shooting was reported widely. But perhaps the best documentation of the incident came from Tom Fox, a photographer for the Dallas Morning News.

Mr Fox was there at the beginning of what would have been a typical day for any metro journalist: he was headed to the inauguration for the city’s new mayor but first stopped by the building, which houses a federal courthouse, to snap photos of a defendant in a case about charter school fraud.

Journalist Tom Fox faces extreme danger to capture images of a gun attack outside Dallas courthouse
Journalist Tom Fox faces extreme danger to capture images of a gun attack outside Dallas courthouse (Tom Fox/The Dallas Morning News via AP)

So he was waiting right in front of the building when the gunman, whom authorities identified as former army infantryman Brian Isaack Clyde, showed up and opened fire.

Instead of running, Mr Fox’s first instinct was to take photos.

The results offered a rare glimpse of an active shooting from the perspective of someone in the immediate path of danger.

Mr Fox snapped one of the gunman, taken from just a few meters away, as the man approached the building in a low walk, his gloved hands holding a gun and ammunition clips racked on his belt.

Authorities later said that the man had five 30-round magazines.

Mr Fox also snapped photos of people, a security guard and a man in a suit fleeing as the gunman released a volley of shots.

Mr Fox then jumped behind a column near the building’s entrance, attempting to make himself “as small as possible”, according to an account he gave to the Dallas Morning News.

“I just stood there and prayed that he wouldn’t walk past me,” Mr Fox said. “Because if he walks past me and sees me, he’s going to shoot me. He’s already got the gun out.”

Mr Fox, who did not respond to an interview request from The Washington Post, shot video as well, including one recorded in the harrowing moments after the gunman retreated across the street.

The video captures Mr Fox talking to unidentified authorities, potentially law enforcement, who ask where the gunman went.

Mr Fox can be heard panting. “He didn’t go past me,” he tells them. “He was here and came this way.”

Video taken by another bystander from high above the street shows just how close Mr Fox was to the shooter. The gunman runs up to the front of the federal building, at one point appearing to shoot towards the front entrance.

The shots reverberate down the block.

“Holy crap,” the person holding the camera says.

The entrance to the building is framed by two bulky columns that jut out from its exterior.

Dallas Morning News photojournalist describes seeing heavily armed masked man at federal courts building

Mr Fox hides behind one, unseen by the gunman, but just a few steps away.

The gunman then retreats, apparently after taking fire himself. He runs to a parking lot across the street; more shots ring out in his direction. Mr Fox continued to take photos.

It is not clear whether the shots that damaged the building’s front doors were fired by the shooter or law enforcement officials.

Eventually, the gunman fell to the ground. Mr Fox took more photos and video of the gunman, then shirtless and injured, and the emergency responders that surrounded him.

He told the Morning News, where he has worked for 29 years, that the most perilous situation he’d ever faced on the job was a pack of hungry pit bulls he fended off in Louisiana after Hurricane Katrina.

He said he’d never been shot at. That his first move was to grab his camera was simple reflex.

“Your journalistic instincts just kick in,” he said. “You use the camera almost as a shield. I also felt a journalistic duty to do all that.”

© Washington Post

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