Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

On view, art paid for by Carlsberg beer money

Louise Jury,Arts Correspondent
Tuesday 14 September 2004 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A stunning collection of art and antiquities purchased with the proceeds of one of the world's best-known beers go on show in Britain this week in the first exhibition outside their home in Denmark.

A stunning collection of art and antiquities purchased with the proceeds of one of the world's best-known beers go on show in Britain this week in the first exhibition outside their home in Denmark.

More than 200 treasures from the collections of Carl Jacobsen and his son Helge, part of the Carlsberg brewing dynasty, have been lent to the Royal Academy in London while their own home in Copenhagen undergoes a £10m refurbishment.

The extraordinary collection includes one of the finest groups of Roman portrait busts in the world and other Roman antiquities described by Mary Beard, one of the show's curators, as even greater than the holdings of the British Museum.

Carl Jacobsen began to make purchases in the 19th century just as Rome was undergoing massive building work and excavations to transform it into a suitable capital city for the newly united Italy.

There are also Greek and Egyptian treasures, including mummies, and French and Danish painting and sculpture from the 19th century, all shown in the UK for the first time. Carl Jacobsen began collecting in the late 1870s. When he donated his collection to the Danish public by deeds of state in 1888 and 1897, their new home was named a Glyptotek - Greek for "a repository of carving".

His son, meanwhile, fell in love with Impressionism and post-Impressionism, which his father thought were "awful, mannered and ghastly".

He bought masterpieces by Monet, Manet, Degas and Cézanne, which he also eventually bequeathed to the public. They are shown alongside his father's in the Ny Carlsberg Glyptotek. One of the features of the Glyptotek are central Winter Gardens, which Carl Jacobsen thought might help attract visitors because "being Danes, we know more about flowers than about art". These gardens have been recreated in the central hall of the Royal Academy with potted palms.

The process of organising the exhibition has had the added benefit for the Glyptotek of forcing it to review the content of its collections, its director, Flemming Friborg said yesterday. In one case, a sculpture long regarded as Minerva has been identified as the personification of Rome.

The exhibition opens on Saturday and runs until 10 December and is sponsored by Danske Bank with Carlsberg UK with extra support from another Danish firm, Novo Nordisk.

In a joint statement yesterday, they said: "Carl and Helge Jacobsen's dedication and commitment to the arts ensured that a collection of the highest quality was donated to the Danish public, and we take great pride in helping to share these treasures with an international audience."

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in