Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Picasso experts' rift spills into court action: Signature on pounds 1.1m print is claimed not to be authentic

Dalya Alberge,Art Market Correspondent
Wednesday 22 December 1993 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

ONE OF the world's leading print experts is suing another over a Picasso that changed hands between them for dollars 1.68m (pounds 1.1m) in June 1990.

David Tunick, a New York dealer, and Eberhard Kornfeld, a Swiss auctioneer, will see each other in court. Mr Tunick is seeking refund on the price he paid for the Picasso and punitive damages of dollars 20m (pounds 13m); Mr Kornfeld is suing for outstanding payment.

Their quarrel concerns the authenticity of the pencil signature on an impression of Picasso's famous 1935 print La Minotauromachie - the mythical half-man, half-bull. The two have locked horns over that signature since 1991, when Mr Tunick exhibited the print at the annual Art Show in Manhattan. Although it had pride of place on his stand and a price tag of dollars 2m, it did not sell.

Eight months later, and 16 months after purchasing it, Mr Tunick said experts had questioned the authenticity of the signature, but not the print. A signed print is significantly more valuable.

Mr Kornfeld, a Picasso expert, offered to exchange it for a copy of the same print in his private collection - a version that had for years been on loan to the Museum of Modern Art in New York. According to Jeremy Epstein, of Shearman & Sterling - Mr Kornfeld's lawyers - Mr Tunick refused the swap and demanded his money back.

In October 1991, nine days after Mr Tunick claimed he had discovered that the print's signature was fake, he sued Mr Kornfeld in the US Federal District Court in Manhattan. He cited fraud, breach of warranty and wreckless misrepresentation.

A month later, Mr Kornfeld filed a lawsuit in Switzerland for the money he was still owed. In December 1992, the case was dismissed in the Swiss courts on jurisdictional grounds and, after appeal, that ruling was affirmed three months ago.

In January this year, the Federal District Court in Manhattan ruled that the case would proceed in New York.

In July this year, Mr Kornfeld filed a counter-claim against Mr Tunick in New York, suing for breach of contract and fraud, to recover the balance of the amount. Both sides moved to dismiss the other's claims, but the judge denied the motions. The case is likely to come to court within the next few weeks.

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in