Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Orchestra's cable TV deal heralds age of 'dial-a-concert'

David Lister,Arts Correspondent
Sunday 19 June 1994 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A PIONEERING deal between an orchestra and cable television is likely to bring in the age of 'dial-a-concert' when the Royal Philharmonic starts a residency in Nottingham this autumn.

The orchestra has signed an agreement with Diamond Cable TV, which supplies the area, to send film of its musicians at work into every school in the city. This is likely to extend to concerts being filmed and relayed to cable television viewers if union agreement is forthcoming.

In addition, the orchestra has decided to invite elderly people into midweek afternoon rehearsals and give them tea and cakes as they watch. The orchestra's management believes that many older people are afraid to go out at night when concerts usually take place.

Paul Findlay, the RPO's managing director, also intends to have a big screen in Nottingham's Royal Concert Hall to show close-ups of musicians and conductors and to allow musicians to wear casual clothes for some concerts, to attract younger audiences.

The residency, which starts in October with a concert conducted by Yehudi Menuhin, will be studied by Britain's other symphony orchestras as they mark a radical and potentially highly lucrative way of increasing audiences.

Mr Findlay and the company are investigating the possibility of relaying live concerts. 'With the new technologies the possibilities are endless. You can literally have dial- a-concert. Look in the paper, see what we're playing, and if you fancy it, have us on your hi-fi and on your TV screen.'

The orchestra has persuaded Boots, which is has its headquarters in the city, to sponsor it and sell its CDs. The two universities, Nottingham and Trent, will collaborate on summer schools and curriculum involvement with RPO musicians.

Mr Findlay said: 'There is a limit to the number of people we can play to live. The whole interactive nature of cable TV means we can reach a new young audience. We could run all sorts of competitions and musical quizes.

'As for the concert hall, I am determined to have a big screen in it, and I would like cable TV to relay the actual performances eventually. Nottingham is a starting point for a whole new way of networking an orchestra through new technology and our own resources.'

The RPO, which has a deficit of pounds 225,000 had its grant cut from pounds 400,000 to pounds 300,000 this year and had to cut musicians' salaries. But it has responded with these initiatives, as well as calling itself Britain's National Orchestra and becoming the house orchestra of Classic FM with pounds 500,000 sponsorship from the radio station. It has also formed a deal with Tring record company to produce a series of CDs, all at less than pounds 4.

It will receive pounds 400,000 to fund the Nottingham residency, 60 per cent from the local authorities and 40 per cent from the private sector.

Leading article, page 17

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in