Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Lucian Freud’s portrait of Wolseley restaurateur to go under the hammer

The artist dined at the restaurant almost every night for the last few years of his life.

Ellie Iorizzo
Wednesday 28 September 2022 07:53 EDT
Queen Elizabeth II shakes hands with artist, Lucian Freud before lunch for members of the Order of Merit at Buckingham Palace in London (John Stillwell/PA)
Queen Elizabeth II shakes hands with artist, Lucian Freud before lunch for members of the Order of Merit at Buckingham Palace in London (John Stillwell/PA) (PA Archive)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A portrait by Lucian Freud of famed restaurateur Jeremy King, who co-founded The Wolseley, is expected to fetch £300,000 at auction.

The artist dined at the Mayfair restaurant almost every night for the last eight years of his life and often sat with Mr King, talking about their “families, his peers, the past, or by singing, or saying nothing at all.”

Mr King said: “From the moment Lucian started coming into The Caprice in the 80s, he was always very much part of my world, but it was not until the opening of The Wolseley in 2003, that I really got to know him.

“It was a place he would adopt as his home over the next eight years, and he became, over time, the only person I would sit with in the restaurant except my immediate family.

“He would come up to six, sometimes seven times a week for dinner, often post-sittings, usually with a model, but never could I have dreamt that I would become one of them.”

“I ended up sitting for him across five years in total, first for a painting and then for the etching, typically sitting two mornings a week, and nearly always going out for breakfast too.

“I think we were drawn together because we were both quite solo people, both great observers, and there was no better place to watch the world go by than the grand café that was The Wolseley.”

Mr King said that Freud was one of the “most honest people” he had ever met and the time he was “lucky enough” to spend with him “enriched” his life completely.

Freud had invited Mr King to his studio twice a week for three years but hadn’t completed his copper plate etching, titled Head Of Jeremy King, when he died in July 2011.

The night after Freud died, a black tablecloth was placed over his corner table at The Wolseley with a single candle burning in his memory and an ice cream dessert was later named Coupe Lucian in his honour.

The portrait brings together “two absolute masters of their respective arts,” Oliver Barker, Sotheby’s Chairman of Europe, said.

He continued: “Freud was a social commentator as much as an artist, and it was not lost on him that King’s restaurants were the ultimate melting pots of their time, with King – the conductor at the centre of it all – being a natural subject for one of his portraits.

“While in the restaurant world it is often the chefs who receive the plaudits, there can be few restaurateurs or hoteliers who have been met with greater acclaim than Jeremy King.

“The portrait to be offered at Sotheby’s is a wholly personal work, one that speaks to an enduring friendship and a meeting of minds.

“Freud’s determination to continue preparing this portrait until his final days was as much a statement of his intent to remain a working artist until the very end, as it was a reflection of his wish to continue spending valuable time with his friend.

“While we will never know what Freud’s intended printed etching would have looked like, this luminous copper plate, replete with the artist’s meticulous scratches and chalk marks – laboured over for three years – is an artistic triumph in its own right, and marks the culmination of Freud’s extraordinary seven-decade long career.”

The portrait will be offered directly from Jeremy King’s collection on October 15 as part of the contemporary art day sale.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in