Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

'Blinking Eye' wins architecture's top award

Jay Merrick Architecture Correspondent
Sunday 13 October 2002 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Gateshead Millennium Bridge, known by Tynesiders as the "Blinking Eye", has won Britain's most coveted award for architecture, the Stirling prize.

The Gateshead Millennium Bridge, known by Tynesiders as the "Blinking Eye", has won Britain's most coveted award for architecture, the Stirling prize.

Its elegant and highly dramatic dual arch has given its designers, Wilkinson Eyre Architects, a unique double ­ they scooped the prize last year with the Magna Centre in Rotherham, South Yorkshire.

The win gives Tyneside a prestigious landmark-cum-gong and provides Newcastle and Gateshead with a leg-up in their joint bid to become European City of Culture in 2008. It also adds some weight to the argument that big lottery-funded architectural projects can help to kick start urban regeneration.

"This is all about how we regenerate," said the Gateshead council leader, Mick Henry, after the award ceremony at Gateshead's Baltic Centre for Contemporary Art. "We have to make sure that these projects on the quayside have an effect. If they don't, it's just an architectural gesture.We've got an icon. This is not dumbing down.People crossing this bridge know it is extraordinary, and they love it."

The Gateshead Millennium Bridge is an unexpected example of structural engineering that may have a significant effect on social engineering. "We've had a million people across it already. This is art, technology and design coming together ­ icing on the cake of a long-term regeneration strategy," Mr Henry said.

At least two other short-listed projects offered stiff competition to the winner. Edward Cullinan's low-tech, peanut-shaped Downland Gridshell was highly favoured by critics; so, too, was Richard Rogers' crystalline Lloyd's Register. And the designers of Edinburgh's dance base, Malcolm Fraser Architects, were plainlybitterly disappointed after the judging.

But it appears to have been no contest. The judges for the £20,000 prize, sponsored by the Royal Institute of British Architects and the Architect's Journal, fell arch, deck and cables for a bridge that, said Paul Frinch of the Government's Commission for Architecture and the Built Environment, was "one of those obvious solutions that nobody had ever thought of before. In the last few years there's been the London Eye, the Angel of the North and now this. It's the one new piece of architecture that will be remembered by people this year."

Not in Westcliffe-on-Sea, it won't. The Gateshead Millennium Bridge may be cutting-edge steel elegance, but sharp edges are a distinct no-no at Westborough Primary School where the activity centre is made of cardboard. The structure, designed by Cottrell and Vermeulen, won the Stephen Lawrence prize, sponsored by the Goldschmied Foundation, and the RIBA Journal Sustainability Award.

Projects such as the Gateshead Millennium Bridge may be less common in the future. They will continue to be built to rebrand cities but the Lotto cash for them is drying up. "We are seeing the last vestiges of these projects," said Jim Eyre, co-principal of Wilkinson Eyre.

"It's been an extraordinary period for British architecture. But perhaps the focus will shift away from cultural projects. We are seeing sustainability and education coming onto the agenda."

Too late, though for architecture on this year's Stirling prize shortlist whose key fault was not architectural excellence but a lack of glamour.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in