Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Cambridge museum should give looted painting to Jewish owner’s family – panel

The Spoliation Advisory Panel found the oil landscape by French realist Gustave Courbet was seized from Robert Bing in occupied Paris in 1941.

Tim Sigsworth
Wednesday 29 March 2023 07:36 EDT
The Fitzwilliam Museum at the University of Cambridge (Alamy/PA)
The Fitzwilliam Museum at the University of Cambridge (Alamy/PA)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A Cambridge museum should surrender a 19th century painting stolen by the Nazis from its Jewish owner to his descendants, a Government panel has said.

The Spoliation Advisory Panel, a body of judges and historians that investigates claims for Nazi loot, found the oil landscape by French realist Gustave Courbet was seized from Robert Bing in occupied Paris in 1941 because he was a Jew.

It recommended in a 19-page report that the University of Cambridge’s Fitzwilliam Museum should give it away to his heirs, though this is not legally binding.

The 1862 work La Ronde Enfantine depicts a forest scene and was taken from Mr Bing’s apartment in May 1941 by two men from the Einsatzstab Reichsleiter Rosenberg (ERR), a German task force responsible for acquiring cultural loot in occupied lands.

No other reason for seizure other than the Jewishness of Mr Bing has appeared to explain this seizure

Spoliation Advisory Panel

Mr Bing went on to join the French Resistance and receive the Croix de Guerre medal.

“This is a deliberate seizure by the German authorities from a Jewish citizen of France with the diversion of the work of art to Nazi leaders,” the report reads.

“No other reason for seizure other than the Jewishness of Mr Bing has appeared to explain this seizure.”

The painting was earmarked for the personal collection of Hermann Goering, one of Adolf Hitler’s leading henchmen who commanded the Luftwaffe and plundered property worth hundreds of millions of pounds during the war.

Goering at one point offered to swap it with Joachim von Ribbentrop, Hitler’s foreign minister, only for the deal to fall through because either von Ribbentrop or his wife “disliked the work”.

The Fitzwilliam suggested to the investigation that at the end of the war Allied soldiers found the painting hidden in secret tunnels near the Nazi elite’s retreat at Berchtesgaden in Bavaria, though this is disputed by Mr Bing’s descendants.

The trail then runs cold until 1951, when now-defunct London art dealer Arthur Tooth and Sons acquired the painting from Kurt Meissner – a Swiss dealer suspected by American authorities of looting – after its authenticity was verified by French expert Andre Schoeller, another suspected looter.

It was purchased that year by the Very Revd Eric Milner-White, Dean of York, who in turn donated it to the Fitzwilliam, where it has remained ever since as part of its collection of 2,000 paintings.

The museum has cared for the work so that it can now be restored to the heirs of the original owners

Spoliation Advisory Panel

It is currently in storage and not on display.

In its conclusion, the panel said: “This recommendation implies no criticism of the museum or the original donor, the Very Reverend Eric Milner-White, who have acted honourably and in accordance with the standards prevailing at the time of acquisition and since.

“The museum has cared for the work so that it can now be restored to the heirs of the original owners.”

The painting’s value is not known but a number of Courbet’s works have sold at auction for six figure sums.

The Fitzwilliam Museum was approached for comment.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in