Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Artist revealed as 'painter of stories': Music sets scene for French landscapist who draws from classical poetry

Dalya Alberge
Monday 24 January 1994 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

STUDENTS from the Royal Academy of Music performed chamber music that Claude Lorrain, the 17th-century French master landscapist, might have recognised in the Sainsbury wing of the National Gallery, writes Dalya Alberge.

Claude is the subject of a major exhibition opening at the gallery in London tomorrow, and the sound of period music, performed by small chamber groups, will accompany visitors round the show on Wednesday evenings in February and March. Claude is widely admired for his evocative panoramic views and play with luminous light, but the National Gallery show aims to bring out the lesser-known Claude - 'a painter of stories'. Although Claude's figures are always secondary to the landscapes, the inspiration of literature - particularly the Bible and the classical poetry of Ovid and Virgil - is explored through 28 paintings and more than 50 drawings.

Neil MacGregor, director of the National Gallery, said it could not be a more appropriate setting for this show: when the gallery first opened to the public in 1824, Claude was the best represented artist and a particular favourite of the gallery's first benefactor.

Pictured above are Claude's Landscape with the Arrival of Aeneas before the City of Pallanteum, 1675, and Landscape with the Father of Psyche Sacrificing at the Temple of Apollo, 1662.

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in