Rembrandt 'fake' a genuine error
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.A PAINTING branded as bogus and consigned to the basement of Ireland's National Art Gallery more than 25 years ago is likely to be proved a genuine Rembrandt after all.
The work, Head of an Old Man, has been owned by the Dublin gallery since 1871.
It was thought to be a Rembrandt until Dutch experts declared it was a 19th-century fake with a false signature.
That judgement was queried more recently by Andrew O'Connor, the gallery's senior conservator. He has established that the painting dates back to about 1650, and is consistent with Rembrandt's style.
Mr O'Connor said: "I always liked the work and my faith in it wavered in the face of all the experts. But I always felt it deserved reassessment, and now I have been able to do that. Cleaning tests and examination of the original paint pretty well convinced me.
"I also showed it to the head of the Rembrandt Research Project in Amsterdam, who endorsed my feeling.
"I would be hoping for confirmation within the next year, but these things always take a long time. And you are never able to say without any doubt that something is genuine."
Mr O'Connor was reluctant to put a price on the painting, if it is finally declared a Rembrandt. "For us, paintings are not related to commercial value, and this one is certainly not for sale," he said.
The last old master confirmed at the gallery, Caravaggio's The Taking of Christ, was valued at pounds 26m.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments