Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Photographer Lawrence Watson exclusively reveals the stories behind his key shots from a new book documenting Paul Weller’s solo career:
I started photographing Paul in 1992, three years after he’d found himself without band or recording deal for the first time since he was 17.
Nobody wanted him! Polydor didn’t like his album, even though he was ahead of the game – he’d made a house album – and so he was left out in the wild for a bit. He had to re-evaluate everything.
I think it was the first time in his life someone had told him they didn’t like what he did, so I’m sure it was pretty strange for him. In 1991, he began touring small venues as The Paul Weller Movement, playing a mix of hits from The Jam as well as new solo material.
Into Tomorrow by Paul Weller, Photographs by Lawrence Watson the signed limited edition book of 2,000 copies from www.WellerBook.com, Tel: +44 (0)1483540 970, £325
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments