Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

OBITUARY: Peter Stadlen

Ronald Stent
Friday 26 January 1996 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Bayan Northcott [obituaries, 23 January] does not mention Peter Stadlen's enforced wartime sojourn in Australia. Like thousands of other German and Austrian refugees, Stadlen was interned in the summer of 1940 and shipped under atrocious conditions to Australia. The Home Office, reacting to an application signed by Thomas Mann, Yehudi Menuhin and Eleanor Roosevelt, amongst others, had actually ordered his release, but, by the time it did so, Stadlen was already on the high seas.

On board ship he was a constant source of cheer to his fellow prisoners, encouraging them to sing. Among the few possessions he managed to bring was a piano transcript of Handel's Israel in Egypt. One internee had brought his violin, and on precious lavatory paper Stadlen transcribed the score for the violin and voices.

Once the internees were settled in a camp in the New South Wales bush, Stadlen formed a choir of 75 male voices and arranged a concert performance of Handel's work in front of the camp officers and local dignitaries. Later on there were performances of Mozart's C Major Mass, of a Palestrina Mass and of the Prisoner Chorus of Fidelio.

It took over a year before Stadlen was returned to England. When he finally disembarked at Liverpool, he heard on the tannoy that Dr Vaughan Williams wanted him to get in touch urgently. He told me some years ago that this pleased him greatly.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in