Obituary: Donald Alexander
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.MAY I add to the affecting obituary of the film maker Donald Alexander (by Robert Kruger, 26 July), which I feel did less than justice to his pioneering documentary work, especially in Wales, during the 1930s? writes Dave Berry. Alexander will always be remembered as a creative force of the Thirties and Forties, but principally, I suggest, for his role in creating movies which centred on the devastating effects of the depression in Wales and elsewhere in the Thirties.
In 1935, as a socially conscious student at Cambridge, with a thorough knowledge of Russian history, he travelled to South Wales with some fellow students to see for himself the impact of the Depression on the valleys. He was appalled at what he saw and the group made a short film of the Rhondda which included footage of miners scrabbling in the coal heaps to bring back fuel for their own hearths.
Paul Rotha was shown the footage and this distinguished documentarian immediately offered Alexander a job in London on the strength of it. Shortly afterwards Ralph Bond directed the south Wales segment of the influential short film Today We Live (1936-37) for the Strand company, set in and around Pentre, Rhondda. Rotha was so impressed with Alexander's earlier Rhondda footage that he asked him to do some additional filming for Today We Live, effectively re- creating those shots of desperate men on the windblown coal tips taking coal. The resulting remarkable footage has been seen in countless documentaries since. Around the same time Alexander directed Eastern Valley - which was not about Scotland, as Mr Kruger implied, but set in a pioneering agricultural collective for unemployed men in Gwent. Once more Alexander demonstrated his great flair for evocative imagery and his ability to see the past in the present.
Both Today We Live and Eastern Valley were ground-breaking works made at a time when the British mainstream cinema was chary about even acknowledging the Depression and even more reluctant to show images of trade unions or men binding together for the common good. These films are a valuable contribution to the Welsh cinematic heritage.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments