Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Carol Doda: Stripper who introduced topless entertainment to San Francisco and was profiled by Tom Wolfe

She had a role in the Monkees’ strange film ‘Head’, playing the part of ‘Sally Silicone’

Shannon Baxter
Friday 13 November 2015 16:50 EST
Comments
Doda at the Condor in 1978; her augmented bust was known as ‘The Twin Peaks of San Francisco’
Doda at the Condor in 1978; her augmented bust was known as ‘The Twin Peaks of San Francisco’ (AP)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Carol Doda was a San Francisco stripper whose act helped introduce topless entertainment to the city more than 50 years ago. Her fame spread beyond the burlesque: she played the part of Sally Silicone in Head, Bob Rafelson’s 1968 film that constituted the Monkees’ two-finger salute to stardom, and she was profiled in Tom Wolfe’s exploration of Sixties counterculture, The Pump House Gang.

She first went topless in 1964 at the Condor Club, a move that transformed every nightspot on bustling Broadway in San Francisco. During its heyday in the early 1970s, the street in North Beach buzzed with more than two dozen clubs where carnival-like barkers beckoned passers-by to watch bare-breasted dancers.

“When the beatniks were handing the torch to the hippies, a girl named Carol Doda changed the world from a pole at the corner of Columbus Avenue and Broadway,” Doda’s friend, the publicist Lee Housekeeper, said. “In a funny way, Carol’s impact on the history of that era was as great as Lenny Bruce.”

Doda would take to the stage on top of a piano on a platform debuting her act on the same day President Lyndon B Johnson drew half a million people during a visit to San Francisco. It wasn’t long before the big news in town wasn’t the leader of the free world but “The Girl on the Piano”. Doda became a legend and the Condor Club had an illuminated sign carrying her likeness. As her fame grew, so did her bust line, which she enlarged with silicone injections, her 44in breasts popularly referred to as “the new Twin Peaks of San Francisco”.

Doda grew up in the city and dropped out of school in the eighth grade. She became a cocktail waitress at 14 before dancing at the Condor. She was not the first stripper to go completely bare-breasted, but was the first to do so in a US venue where it was legally sanctioned, according to the Condor’s assistant manager, Mike Rickson. He said she obtained a special permit from the city to dance topless. The San Francisco Chronicle called hers “the first topless dancing act of widespread note in America.” Doda took the phenomenon a step further in 1972, when she began going bottomless as well, Rickson said.

Doda was arrested once, during a police raid on the Condor in 1965, but was acquitted and continued to dance at the club until 1985. She went on to start a rock band, the Lucky Stiffs, and later opened a San Francisco shop, Carol Doda’s Champagne and Lace Lingerie Boutique. Doda, who never married, died from complications of kidney failure.

Carol Ann Doda, stripper: born San Francisco 29 August 1937; died San Francisco 9 November 2015.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in