Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Professor Michael Podro

Tuesday 01 April 2008 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Michael Podro was an outstanding art historian, writes Professor Dr Sergiusz Michalski [further to the obituary by Charles Saumarez Smith, 1 April]. He was also – despite occasional fits of temper – a kind and caring man.

As if inspired by the erstwhile name of his Polish-Jewish family from Ciechanow (Podroznik, which means "voyager" and was later anglicised to Podro), he travelled all over the European intellectual continent (excepting maybe the South) combining an English analytical and sceptical tradition with a wonderful grasp of the aesthetic legacy of German idealist philosophy and a thorough understanding of the ideas and conditions of the East European intelligentsia.

Continuing the latter's tradition of coffee-house discourse, Podro displayed his impressive learning often through brilliant conversation, maybe somewhat to the detriment of the written word. The death of Michael Podro ends in my opinion the fascinating strand of a mélange of the Central European mode of thinking with the English intellectual tradition, a strand which shaped much of the English humanities in the years after 1933.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in