Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Lives Remembered: Paul Garner

Wednesday 24 March 2010 21:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

My friend Paul Garner, who died on 19 January, was best known in the opera world as personal assistant to Placido Domingo. He was popular for the urbane charm, caring warmth and affability he naturally displayed in his work with some of the most prominent opera stars of the past half-century.

Born in St Catharines in Ontario, Canada on 28 March 1928, he displayed significant musical talent as a child and completed his piano studies at the Royal Conservatory of Music in Toronto, where he won the gold medal for his performance of Tchaikovsky's Piano Concerto No 1. William Glock, who was later the BBC controller of music and responsible for the Proms, was adjudicator at the performance. One of Paul's contemporaries at the conservatory was Glenn Gould, who helped him rehearse the concerto by playing the orchestral part on another piano.

Soon afterwards, Garner decided to come to England to study acting at Rada, in the first of several career changes. There his contemporaries included Peter O'Toole and Albert Finney. He spent some years acting in repertory theatre companies in Britain, and appeared with some of the leading actors of the day, including Patricia Routledge, Thora Hird and Harold Pinter.

Then, turning his back on acting, he joined Decca Records and was soon employed by one of the Decca artists, Joan Sutherland, and her conductor husband, Richard Bonynge, as personal assistant. This took him around the world, one highlight being the famous pair's long-awaited return to Australia in 1965. By 1970, Paul's work for them meant remaining in their permanent home in Switzerland for long periods. The Swiss authorities declined to grant him a work permit as a foreigner, so eventually Paul had to leave.

While with the Bonynges, he had met Placido and Marta Domingo, and in 1975 he began working as Domingo's personal assistant, a post he held for 26 years, again travelling around the world, but now with even greater frequency, until the aftermath of heart bypass surgery compelled him to retire.

Paul won the affection not only of the Domingo family, but of all who knew him. He will be greatly missed and fondly remembered by them, including the many Domingo fans with whom he had formed firm friendships.

Shahab Ispahani

If you would like to contribute an obituary of a friend, family member or colleague, please send a piece of no more than 500 words to Obituaries, 'The Independent', 2 Derry Street, London W8 5HF, by fax to 020 7005 2399 or by email to obituaries@independent.co.uk. We reserve the right to edit copy for length and style

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in