Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

George Walker

Editor for 20 years of the campaigning workers' paper 'The Industrial Pioneer'

Wednesday 25 August 2004 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

George Walker was for 20 years editor of The Industrial Pioneer, an independent and campaigning workers' paper which aims to hold a "constructive shop-floor view of British industry". An electrical and mechanical engineer by background, Walker succeeded The Industrial Pioneer's first editor, Joe Hancock, in 1963, becoming its joint publisher and editor until his retirement in 1983.

George Marmaduke Hollis Walker, editor and engineer: born Somerby, Lincolnshire 31 October 1909; married 1950 Gwyneth Wilson; died Knebworth, Hertfordshire 16 July 2004.

George Walker was for 20 years editor of The Industrial Pioneer, an independent and campaigning workers' paper which aims to hold a "constructive shop-floor view of British industry". An electrical and mechanical engineer by background, Walker succeeded The Industrial Pioneer's first editor, Joe Hancock, in 1963, becoming its joint publisher and editor until his retirement in 1983.

Hancock, a militant Liverpool docker, had launched The Waterfront Pioneer, as it was first known, as an alternative to the confrontational excesses of the hard Left. Now in its 45th year of publication, The Industrial Pioneer is known for being the moderate voice of trade unionism and claims a loyal and influential readership in 20 countries. The paper never claimed or sought a political affiliation, although its sympathies are decidedly with the Labour Party. Depending on a volunteer staff and accepting no advertising, its funding has come from its subscription readership and donations from trade union members, as well as a trust fund set up by its supporters.

Under Walker's editorship, the paper gave extensive assessments of the annual Labour Party and TUC conferences, as well as covering the annual International Labour Organisation conferences in Geneva - an internationalist outlook continued by the paper's current editor, Ian Maclachlan. But Walker also saw the paper as a campaigning journal, engaging through its columns in a "battle for the soul of Britain". In this respect he was in the Christian Socialist tradition of Keir Hardie rather than that of Karl Marx. The paper's emphases were always on conciliation rather than confrontation, on economic justice, including campaigning for Third World debt remission, and on the principle of "what is right, not who is right".

Staff members played a crucial behind-the-scenes role in bridging differences between management and workers during the heyday of the "British disease" of industrial unrest - most notably during the steelworkers' strike of 1980. At the time, the British Steel Corporation was losing over £1m a day and urgently needed to implement a package of cost cutting, including job losses at the mighty but loss-making Llanwern steelworks in south Wales.

A key factor in Llanwern's survival was a little known series of meetings, arranged by Pioneer correspondents, between steel union officials and purchasing employers. They included Gwilym Jenkins, a Llanwern branch secretary of the steelworkers' union, who had helped to organise a picket blockade of a local steel purchaser, Harold Williams. Williams was a representative of the employers' organisation, the Confederation of British Industry, while Jenkins was a Llanwern computer operator who could see into the abyss on his screen: steel purchase orders were drying up and customers were deserting in droves.

Over a series of working dinners, Williams and other steel buyers were so impressed by the sincerity of Jenkins and his colleagues, and their determination to deliver top quality steel, that they promised to keep purchasing from Llanwern. The orders began to flow in again, and this became the basis for a remarkable turn-around at the steelworks. Today, Llanwern remains as a rolling mill, serving Port Talbot steelworks.

George Walker was born in Lincolnshire, the youngest of five children of an Anglican vicar. He responded to his father's Christian faith, a commitment which was later strengthened by his association with Frank Buchman's 1930s Christian movement, the Oxford Group. Leaving King's School, Grantham, in 1928, Walker became a management trainee at Andrew Toledo Steel Works in Sheffield, and by the age of 24 was a director at a tooling company in Wolverhampton.

Ill health kept him from active war service, so he volunteered for a government training scheme in tool making. This was followed by eight years at the Philips Electrical plant in Mitcham, Surrey, where he began writing for a local paper on trade union issues. After the war he spent two years in Canada as the editor of a new industrial journal there. Back in Britain, he became an engineering craftsman and convenor of shop stewards at the Lucas Group in west London. With his industrial, trade-union and editorial background he was invited to take on the editorship of The Industrial Pioneer in 1963.

He had married Gwyneth Wilson, a nurse, in 1950 and their home became the focal point for the paper's editing and production, their garage serving as a cut-and-paste art room in the days before desk-top publishing by computer.

Michael Smith

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in