Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Fred Smith

Writer of 'Western Movies'

Wednesday 24 August 2005 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

As western series such as Gunsmoke, Davy Crockett and Maverick began dominating TV schedules in the 1950s, the novelty record "Western Movies" by the Los Angeles vocal group the Olympics, caught the public imagination, reaching the Top Twenty on both sides of the Atlantic in 1958.

The song had been co-written and produced by Fred Smith and his business partner Cliff Goldsmith, and the pair wrote several follow-up singles for the Olympics, such as "(I Wanna) Dance With the Teacher", "(Baby) Hully Gully", "Private Eye" and "Little Pedro". Smith also produced their "I Wish I Could Shimmy Like My Sister Kate" which charted in Britain in 1961.

Smith worked with Bob and Earl (Bobby Garrett and Earl Cosby), co-producing their R&B hit "Harlem Shuffle"; and also wrote and produced for acts like Jackie Lee, the Belles, the Mirettes and Jimmy Thomas. Many of his songs became Mod favourites in the Sixties and were subsequently revived on the British Northern Soul scene of the Seventies.

Born in 1933, Fred Sledge Smith was the son of the singer and comedienne Effie Smith. She married the songwriter and comedian John L. Criner and together, the couple ran various record labels. They also managed the Olympics and were therefore ideally placed to make sure the quartet recorded "Western Movies", the novelty tune written by Fred Smith and his friend Cliff Goldsmith.

The Olympics appeared on Dick Clark's American Bandstand to promote "Western Movies" and it became an instant smash. While many black groups struggled to break out of the R&B market, the Olympics scored an impressive run of 14 US Top 100 entries, and Smith worked with them consistently.

Smith and the arranger James Carmichael created a bouncy sound which can best be described as "Motown manqué" and became very collectable amongst Northern Soul cognoscenti in Britain.

In 1968 Smith launched the record labels Keymen and Mo Soul. He worked briefly alongside his mother at Stax Records before the label closed down, but subsequently became disillusioned with the music industry.

Pierre Perrone

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in