Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Barney Rosset

Tuesday 28 February 2012 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Further to your obituary of Barney Rosset (28 February), Evergreen Review and Grove Press were oases in the deserts of Dullsville in the late 1950s, as far as international publications featuring avant-garde writing were concerned, writes Michael Horovitz. I particularly valued Rosset's championing of Samuel Beckett some time before he became a household name. And it was in an early Evergreen Review that I was delighted to discover the then still unknown student Pete Brown's first minimal poems, near-haiku with a Cockney music-hall punchline, which he had simply sent in on spec.

This led to our meeting soon after and going on the road with a jazz-poetry bardmobile still going strong today. I had already met and collaborated with most of the Beat Generation writers Rosset helped introduce, and New Departures (dubbed in 1960 by the TLS as "The most substantial avant-garde magazine in Great Britain) was and remains probably the closest UK-Europewide counterpart to Evergreen and Grove. It was nice to have my own poems appearing in Evergreen over the years, and when I got to touring the States, passing Grove's offices near New York University was always enhanced by the pleasant sight of a giant photograph of Beckett across the front.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in