Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

My Mentor: Andrew McKie On Hugh Massingberd

'Hugh reinvented the obituary: well-written accounts of interesting lives'

Sunday 22 January 2006 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It is 20 years since the Daily Telegraph's Hugh Massingberd reinvented the obituary, and I suppose that my greatest debt to him is that the template which he set is still largely the basis for our page. I only worked directly for Hugh once, during a rather disastrous period when Obituaries, Letters and Peterborough (the diary column) were brought together on one gigantic and fairly shambolic table. But he sat only a few feet away from me for several years, conspicuous by his regrettably loud "trouserings". They were not the only loud thing: "Those people over there laughing," one group taking a tour of the office was told, "are the obits desk."

Hugh is a great fan of PG Wodehouse, Evelyn Waugh and Anthony Powell, and his enthusiasm for understated humour found its way on to the page. It resulted in a brilliant series of euphemisms which sometimes made me feel that Wodehouse was a social realist: the description of the 6th Earl of Carnarvon as a "most uncompromisingly direct ladies' man" and the judgment that the 3rd Lord Moynihan "provided, through his character and career, ample ammunition for critics of the hereditary principle" stick in the memory.

Hugh is, as a former editor at Burke's, expert on aristocratic families, but no one could be less snobbish. He was fascinated by the most colossal tripe on television, and brought the same rigour to the relationship between characters from Crossroads as he did to the cousins of dukes. Hugh and those who worked with him were terribly careful about factual accuracy, and that care was applied to the way they wrote: how a sentence was constructed would make it funnier, or clearer, or more nicely ambiguous. He had total disregard for people who didn't understand that the job was simply about producing truthful, well-written accounts of interesting lives.

Andrew McKie is obituaries editor of the 'Daily Telegraph'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in