Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Indoor: You say pig shed, we say art gallery

Abstract paintings on a working farm? Catherine Stebbings visits a gallery with a difference

Catherine Stebbings
Friday 15 May 1998 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A pig shed on a working farm in the Cotswolds is an unlikely yet striking setting for a serious contemporary art gallery. Recent exhibitions and a lively summer show at Merriscourt Gallery are attracting art collectors from all over the country.

The gallery is run by Nick Clements, a specialist picture-framer, and Hermione Owen, a painter. "We're unconventional types who wanted to show paintings that we admired but felt were not being shown - and we wanted to do so in a rather different way," explains Nick.

The display of abstract and representational art looks entirely worthy of a Cork Street gallery in London. Huge, energetic oils by Julian Bailey and intensely coloured Indian scenes by Susan-Jayne Hocking are among the paintings currently on show.

The bolder the better, as far as Nick is concerned. "I like it when they slap the paint on, being a bit wild about it, and really enjoy themselves," he says. The gallery is a relaxed, unpretentious place where visitors can feel at home. Walkers pop in leaving rows of muddy boots on the doorstep; dogs and children play in the courtyard around Paul Grellier's cast-iron Toll Tower.

Yet, for all the laid-back atmosphere, this is a serious outlet for art. The intention is to appeal not so much to the connoisseur as to those who are relatively new to the art market. And Hermione points out: "that gives us some licence with what we can show."

The gallery is well worth a visit from anyone thinking of embarking on an art collection, unsure of where to start and what to buy. Neither the place nor the prices are inhibiting. The artists shown here are exciting, intriguing and accomplished, yet charges range from pounds 250 to pounds 4,000. Here looking at pictures is fun and buying paintings is rewarding. Not surprisingly, people tend to come back for more.

Paintings and shows change frequently. A number of painters, including Hermione herself, are often exhibited here, but the gallery is also always introducing fresh talent. Future plans include a retrospective of Andre Bicat (1909-1996) and one-man shows by Arthur Neal, Julian Bailey and Vince Tutton.

Merriscourt Gallery is at Merriscourt Farmhouse, Churchill, near Chipping Norton, Oxfordshire OX7 6QX (01608 659734)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in