Disney animated by desire to spy on Commies
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.NO ONE in Hollywood ever believed that the volatile Walt Disney was as charming as the characters he created, but it has been something of a shock to learn that the man who invented the world's best-known mouse was himself a mole.
According to recently-disclosed US government documents, the cartoon king served for more than a quarter of a century as a special agent for the FBI, feeding the bureau information about actors, writers, producers and others deemed to be subversive.
The papers reveal that in an era when Hollywood talents were being blacklisted on often flimsy suspicions of Communist tendencies and dragged before witch-hunting congressional committees, Disney was working as a secret informer for the FBI's Los Angeles office with the title 'Full Special Agent in Charge Contact' - a term used for a trusted operative.
Evidence that there was a sinister side to the man behind Goofy and Donald Duck is contained in Walt Disney: Hollywood's Dark Prince, an unauthorised biography by Marc Eliot, which is soon to be published in the US. The documents, acquired by Mr Eliot under the Freedom of Information Act, have been independently authenticated by the New York Times.
Nor was the animator, who was known to be right-wing, the only spy in Tinseltown. The bureau also valued 'Source T-10'. Step forward, Ronald Reagan, then president of the Screen Actors Guild.
Disney's relationship with the G-men, which stretched from 1940 until his death in 1966, appears to have been complex. He allowed J Edgar Hoover access to some of his scripts, and made minor changes to placate him. .
Pleasing the notoriously neurotic Hoover cannot have been easy. He once took issue with a Disney film called That Darn Cat, in which the main character was a cat-cum-undercover FBI agent. According to a memorandum from the bureau, the agency was none too happy about the cat's activities, which it felt were disrespectful. It 'happily forages in garbage cans every night', the memo complained. A pursuit which the Feds, of course, would never contemplate.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments