Beanie Feldstein, Jane Lynch bond backstage at 'Funny Girl'
For her third birthday party, Beanie Feldstein was asked what she wanted as its theme
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Your support makes all the difference.For her third birthday party, Beanie Feldstein was asked what she wanted for its theme. The answer was obvious to her and anyone who knew her: āFunny Girl.ā
Even at that tender age, Feldstein was a super fan of the musical, blasting the cast album and watching the Barbra Streisand-led film about Ziegfeld Follies comedian Fanny Brice on repeat.
āI thought you could just go to Party City and buy a Barbra Streisand-as-Fanny Brice balloon, like you could buy an Elmo one,ā says Feldstein. āThey were the same thing to me. I didn't understand the difference ā āBeauty and the Beast," Elmo and āFunny Girl." It was just my favorite thing.ā
Fast-forward a few decades and Feldstein isn't just in the first Broadway revival of āFunny Girlā ā she's starring in the Streisand role. Now she feels as full as a balloon at a birthday party.
āItās kind of incomprehensible. People keep asking me how I feel. Iām like, āI donāt know. I canāt think about it too much or Iāll just like, explode,āā she says before another full day of rehearsal and performance.
The bittersweet comedy āFunny Girlā tells the tale of a simple Jewish girl from New York in the 1920s who went from burlesque to Broadway stages despite criticism that she wasn't conventionally beautiful.
Along for the ride with Feldstein ā and playing her character's mother, Rosie Brice ā is five-time Emmy Award winner Jane Lynch, who despite being a generation apart from its star, also grew up with āFunny Girl,ā singing the music with her mom.
āI feel like Iāve come home because this music is my childhood. This is my connection with my parents. Itās very moving,ā Lynch says.
Fanny is one of musical theater's more difficult roles to cast, needing both a set of pipes, a sense of humor and a spunky charm, perhaps why it hasn't been revived on theater's biggest stage since Streisand starred in it on Broadway in 1964 and then won an Oscar in the 1968 film version.
The stunning music ā including Jule Styne-penned gems like āDonāt Rain on My Parade,ā āIām the Greatest Starā and āPeopleā ā is wed with Bob Merrill's playful lyrics: āI got 36 expressions!/Sweet as pie to tough as leather,ā sings Franny. "And thatās six expressions more than all them Barrymores put together."
āMusical theater went through such an incredible period when it first came on the scene with āShowboat,'" says Lynch. āThere was a very fertile, exciting, beautiful era of musical theater and āFunny Girlā is right in the middle of it. Nobodyās doing that anymore. It was definitely the end of an era, and Iām so glad weāre celebrating it.ā
āFunny Girlā is a musical that celebrates the oddballs, the kooky and the misfits. Fanny famously considers herself āa bagel on a plate full of onion rolls,ā yet that doesn't stop her becoming an irrepressible and unstoppable force of nature.
āSomeone in the cast came up to me yesterday and she said, āYou make me proud to be a bagel.ā That made me really emotional and she was really emotional when she said it,ā says Feldstein.
āWhether itās body type, height, sexual identity, gender identity, whatever it is ā sometimes we often are made in our society to feel that we donāt belong or we kind of stick out, especially in this industry.ā
The show also stars Ramin Karimloo and Jared Grimes, under the direction of Michael Mayer. The original book by Isobel Lennart has been revised by Harvey Fierstein.
The show is in previews and opens April 24 at the August Wilson Theatre.
Feldstein, who starred in the films "Booksmart" and āLady Bird,ā made her Broadway debut in 2017 in the Bette Midler-led production "Hello, Dolly!"
āI just feel insanely lucky because as a young Jewish girl who wanted to perform and make people laugh and sing, my first Broadway experience was with Bette Midler. And now my second is 'Funny Girl,'ā she says.
If she adored Fanny's drive in the first half of the musical, the adult Feldstein has a new appreciation for the show's second half, which explores Fanny's doomed relationship with her husband, the gambler Nick Arnstein.
āThe joy of actually doing it as an adult has been really falling in love with the second act because I think as a child, I was so enthralled with her thirst and her hunger and her commitment to herself and her belief in herself," she says.
āBut the second act just went completely over my head. I didnāt understand it. I wasnāt able to be moved. And now, as an adult and someone whoās experienced love and is loving and is just older, I find the second half of the show really just so deeply moving.ā
That new appreciation is also shared by Lynch, who says she's starting to appreciate her character's fierce, supportive love.
āWhen I was a kid, I really related to every character. I acted out every song. But Iām seeing Rosie Brice in a deeper way, as such a champion of a mother. I love how sheās just kind of hard core. Sheās not real sentimental. She gets right to the point. But, boy, is she ferocious when it comes to people she loves.ā
With rehearsals during the day and performances at night, both women have logged long hours at work. āI always say that when Iām doing theater, I live like a nun,ā says Feldstein. āItās my whole world. Itās top to toe.ā Lynch agrees but can't resist a riff: āI always say that when I do theater, I live like a monk.ā
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Mark Kennedy is at http://twitter.com/KennedyTwits