NY Philharmonic back at Geffen Hall Oct 7 after renovation
The New York Philharmonic will return to Geffen Hall after a $550 million renovation on Oct. 7 with a concert led by music director Jaap van Zweden before an invited audience to thank healthcare, emergency and construction workers
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The New York Philharmonic will return to Geffen Hall after a $550 million renovation on Oct. 7 with a concert led by music director Jaap van Zweden before an invited audience to thank healthcare, emergency and construction workers.
The program leads off what the orchestra calls a “Home” festival, the Philharmonic said Monday. The concert will feature Aaron Copland's “Fanfare for the Common Man”; the New York premiere of a new work by Carlos Simon; “Juba” from Forence Price's Symphony No. 4; the overture to Rossini's "Il Barbiere di Siviglia”; and the allegro from Beethoven's Symphony No. 5.
Van Zweden will lead a pair of free one-hour concerts on Oct. 8, followed by the first four subscription concerts from Oct. 12-18 featuring the world premiere of Marcos Balter's “Oyá” for light, electronics and orchestra, John Adams' “My Father Knew Charles Ives,” Tania Tania León's “Stride” and Respighi's “Pines of Rome.”
The rebuilt hall will have a capacity of under 2,200, down from 2,738, with the rows in the orchestra cut from 43 to 33, and the stage moved forward 25 feet, allowing seven rows of wraparound seating behind the orchestra. About two-thirds of the third tier will be eliminated.
Concerts will be streamed for free in the lobby on a 50-foot-long Digital Wall, and the hall will include a new small Sidewalk Studio.
A pair of galas are planned for Oct. 26 and 28 to celebrate the reopening, with programs to be announced, followed by an open house on Oct. 29-30.
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.