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Liv Ullmann has given out many Oscars. Now she gets her own.

The great Norwegian actor Liv Ullmann has been nominated for best actress twice, but has never won an Oscar in her 50 years in the business

Via AP news wire
Thursday 24 March 2022 19:24 EDT

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Liv Ullmann likes to say that sheā€™s given away many Oscars in her life. But sheā€™s not talking about losing.

The great Norwegian actor was once a frequent presenter at the awards. She called Peter Finchā€™s name for his posthumous Oscar for ā€œNetworkā€ and stood beside Roger Moore when Sacheen Littlefeather accepted the statuette for Marlon Brando.

So when she heard the president of the Academy of Motion Picture Arts and Sciences was trying to get in touch with her recently, she figured she was going to be asked to ā€œgive awayā€ another. But David Rubin had better news for her: It was her turn to get one.

The award will be officially given to her at the Governors Awards in Los Angeles on Friday. Elaine May, Samuel L. Jackson and Danny Glover are also being feted with honorary Oscars.

ā€œHe really made it sound like I got my Oscar with that telephone conversation,ā€ Ullmann, 83, said earlier this week from her part-time residence in Key Largo. ā€œI felt I had just been congratulated with a beautiful life. I hung up the phone and thought, ā€˜Oh Liv, you are so lucky.ā€™ā€

Ullmann was nominated for best actress twice, first for Jan Troellā€™s ā€œThe Emigrantsā€ in 1971, in which she was up against Cicely Tyson (ā€œSounderā€), Diana Ross (ā€œLady Sings the Bluesā€) and Liza Minnelli (ā€œCabaretā€), who won. A few years later she and Ingmar Bergman were up for ā€œFace to Face,ā€ and she brought her and Bergman's then-12-year-old daughter.

Neither won, which was fine by her. But after, she thought, ā€œOh the poor little one! Mommy and Daddy, they were losers,ā€ she laughed.

Ullmann was born in Tokyo in 1938. Her Norwegian father was an engineer whose work took them around the globe. When she was 6 and they were living in New York, her father died after an accident with a propeller. She and her mother and sister soon moved back to Norway, where she was raised.

She got her start in theater and became quite famous for her turn as Nora in ā€œA Dollā€™s Houseā€ in the 1950s. It drew the attention of Edith Carlmar, Norwayā€™s first female director, who gave Ullmann her first film role.

ā€œI was very innocent and she said, 'You know itā€™s a wayward girl?ā€™ā€ Ullmann said. ā€œI was shy. And she said, ā€˜Are you a virgin?ā€™ I couldnā€™t believe it. I got the part anyway. My family tried to stop me because they didnā€™t want me to be a wayward girl. But it was an incredible experience. She was a great teacher.ā€

But Ullmann became an international star when she started working with Bergman, a personal and professional collaboration that began with her breakout role in 1966ā€™s ā€œPersona.ā€ Bergman wrote the film after a single encounter with her and her best friend Bibi Andersson (who had already been in several of his films). Though one of two leads, she has only one line in the film as a stage actress who has stopped speaking. She said she understood that in some ways Bergman wrote her character with himself in mind.

ā€œI did a lot of talking for Ingmar,ā€ she said. ā€œWe never discussed it. And I may be wrong, but I donā€™t think Iā€™m wrong.ā€

All told, she acted in 10 of his movies, including ā€œThe Passion of Annaā€ (1969), ā€œCries and Whispersā€ (1972), ā€œFace to Faceā€ (1976) and ā€œAutumn Sonataā€ (1978), and directed two scripts he wrote. Their romantic relationship also resulted in the birth of her only child.

When she got the opportunity to direct her first film, Bergman was her first call.

ā€œI said, ā€˜Ingmar, theyā€™re asking me if I can direct, do you think I can direct?ā€™ And Ingmar said, ā€˜Yes, you can direct Liv,ā€™ā€ she laughed. ā€œIt was only then that I really understood how wonderful actors are.ā€

Looking back at her roles, itā€™s Troellā€™s two-part saga ā€œThe Emigrantsā€ and ā€œThe New Land,ā€ about a Swedish family coming to America in the mid-19th century, that have only become more meaningful over the years. The films are about refugees, yes, but theyā€™re also about marriage and love and motherhood. And they allowed Ullmann to live a life sheā€™d always dreamed about.

ā€œI always wanted just one man and it became more than one man. I always wanted many children, and I have one,ā€ she said. But thatā€™s why itā€™s good to be an actor. You get to live the life you never lived.ā€

While sheā€™s excited about the Governors Awards, she also canā€™t help but think of war and going to a big celebration ā€œas if nothing else is happening. Because something else IS happening.ā€ In addition to her own familyā€™s wartime experiences (her grandfather died at Dachau for his efforts helping Jews escape from Norway), she was the first woman to be a goodwill ambassador for UNICEF.

At the moment, Ullmann is busy and in good spirits (ā€œYou caught me at a happy hour,ā€ she said), splitting her time between Key Largo (though she's ā€œnot a Florida person. I'm Nordic") and Massachusetts with her husband, although she'll always consider Norway her home. Her filmmaker grandson will be accompanying her to the ceremony Friday and after sheā€™s done in Los Angeles sheā€™ll head to London where the British Film Institute is doing a monthlong celebration of her work and then to New York to rehearse a show.

She doesnā€™t think sheā€™ll direct any more films. Her fifth, and last, was the 2014 adaption of ā€œMiss Julie,ā€ starring Jessica Chastain, who last year played Ullmanā€™s role in an update of ā€œScenes From a Marriage."

ā€œI would love to direct, but I know I have to make the borders. I admire Jane Campion, and she will direct more movies, but to do what she does, you have to be strong and young. Iā€™m strong but old,ā€ she said. ā€œBut maybe I will do one more film as an actress."

___

Follow AP Film Writer Lindsey on Twitter: www.twitter.com/ldbahr

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