REAR WINDOW

Saturday 27 March 1999 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

1954: in an age when stars understood that Hollywood expected style rather than emotion at the Oscars, a sophisticated Grace Kelly shows why she would soon fit so readily into royal life in Monaco. Here she has just won Best Actress for her role as the feminine but strong wife to Bing Crosby's alcoholic singer in The Country Girl

1999: something of Grace Kelly in the appearance, yes, but what has happened to cool reserve? Gwyneth Paltrow's blubbing speech - tears astonishing even by today's standards - is what happens when Hollywood demands emotion on and off screen. She's just won Best Actress for Shakespeare in Love, but everyone knows that

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in