There's nothing like live; the best music venues

After chucking in an IT job to create bespoke guitars, Jim Fleeting knows plenty about acoustics – and atmosphere

Sol
Thursday 16 July 2015 12:13 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The décor has remained unchanged since the 1970s and it has a maximum capacity of just 350, but that’s what makes the 100 Club such a great venue to play, according to guitar hero Jim Fleeting.

With his independent spirit – which saw him jack in his IT job in London, head to Arizona to learn his trade and return to our shores to craft bespoke guitars – Jim knows a thing or two about music venues.

When he was an aspiring rock star, Jim played the 100 Club: “It’s hot, cramped and small but when you play there you get a great intimate vibe.” Ronnie Scott’s – one of the hot spots featured on SolSearch (a must-visit for places you must visit) – is another of Jim’s favourites, where he also had the privilege to perform. “It is unbeatable for history and for all the big names who have played there,” he says.

“The first time I saw Michel Henderson perform was Ronnie Scott’s and it was You Are My Starship – which he wrote, produced, sang and played bass on – that inspired me to make the Starship guitar, made from ebony.

“Aged 17, Henderson played with legend Stevie Wonder, then with even more legendary Miles Davis. Now that I love to make them rather than play them, seeing him perform in an amazing venue like the Royal Festival Hall on a bass guitar I made, has got to be the highlight of my career,” says Jim. For more independent, original outlets, go to solsearch.com

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in