Ready To Wear: The future of fashion is bright, white, sporty and full of holes

 

Susannah Frankel
Sunday 23 September 2012 12:51 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

To wear or not to wear, that is the question. Here are at least some of the trends that emerged at London Fashion Week, spring/summer 2013...

Luxe sportswear. Best seen at JW Anderson, where what looked like neoprene zip-fronted jackets were in fact made out of cotton sponge; Jonathan Saunders, where the bomber was crafted in holographic leather and silk; and Richard Nicoll: more zip-fronted jackets, parkas and oversized T-shirts in fabrics and colours designed to make a woman feel happy and at ease. At Tom Ford, techno stretch cycling shorts (yes, cycling shorts) were worn with black patent leather. Fierce.

Holes. Your clothes must be filled with them – fishnet, Airtex, crochet knit and more – but also seen in feminine lace at Erdem, Simone Rocha and more.

White. It's everywhere, signifying a clean-minded if not entirely clean-living modernity at Topshop Unique, James Long (think Patti Smith on the cover of Horses), Simone Rocha, Giles, Sibling, Richard Nicoll, Antonio Berardi and Burberry, where the trench coat appeared in the non-colour at its most chic. At JW Anderson and Thomas Tait, meanwhile, a retro-futuristic love affair with white was expressed as flat, Space Age-style go-go boots.

Florals. Roses were embossed on to white leather at Giles, stylised polished brass daisies appeared as buttons at Mulberry, more daisies (lacy ones) covered garments at Simone Rocha, and at Erdem lace veils of flowers decorated demure dresses.

Menswear. Men's shirting at Vivienne Westwood Red Label, Simone Rocha and James Long; men's tailoring at Paul Smith; pinstripe at Maarten Van Der Horst and JW Anderson and deconstructed tweeds at Meadham Kirchhoff.

Bows. In plastic at Christopher Kane, woven printed at Meadham Kirchhoff.

Colour. Palest pink at Christopher Kane, cornflower blue at Richard Nicoll, neon green at Simone Rocha, sunshine yellow, flame and violet at Roksanda Ilincic and all the shades of the rainbow at Burberry.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in