Style shrinks: We analyse Madonna's Cleopatra-meets-cheerleader Super Bowl outfit
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The headpiece
Gemma Hayward: Philip Treacy has done a far better job here than he did with the princesses' hats at last year's Royal Wedding, don't you think? It's the crowning moment of this amazing outfit.
Hugh Montgomery: From the Vegas bling to the nebulous ethnicity, this Treacy creation is a mesmeric omen for Madge's return to lily-gilding brilliance. Stare long enough, and it's as if the revisionist film-making never happened.
The dress
Gemma: Givenchy's Riccardo Tisci is behind this Roman-style costume, whose studded skirt was removed to reveal an amazingly toned body underneath. She's truly the Goddess of Pop.
Hugh: Not many outfits could integrate into both classical warrior and crazed cheerleader themes with such élan. A chameleon the very equal of its wearer.
The boots
Gemma: Gladiator sandals wouldn't have cut it with the sexy stage look, so she wisely opted for a thigh-high buckled boot. As she strutted her stuff, it was hard to believe she's in her fifties.
Hugh: Dominatrix enough, though a stumble proved they weren't quite the perfect dancing shoes.
The hair/make-up
Gemma: With her sphinx-like eyes, flawless skin and preened-to-perfection locks, she gives Liz Taylor's Cleopatra a run for her money.
Hugh: Questioning the whys and wherefores of Madonna's youthful visage is about as edifying as seeking out the liturgical precedent for "Like a Prayer", so let's just say she looks flippin' fantastic and leave the comedy misogynist banter to our man Piers.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments