Printed matters

Layer as many patterns as possible to make the ultimate statement this season. Here's how to do it on the high street, says Charlotte Owen

Charlotte Owen
Monday 15 October 2012 05:05 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Listen carefully and you can hear the wily, straight-edged shadow of minimalism scampering off into the distance. That's because prints – bright and outrageous, fluffy and embossed, tidy and geometric – are back. And not as a top-to-toe solo performance. Instead of making a statement with one bold pattern, think in terms of the building blocks of your outift and layer stripes, checks and swirls.

More is More

Everyone loves an old classic… especially Meadham Kirchhoff. Gingham pinafores, lace shirts, sequined bustiers and glittery tights? Sure. Oversized furs, tinsel jackets, polka-dot blouses and goofy knitwear? Why not. This is a look where more is more. If piling it all on and layering into oblivion feels a bit much, take your lead from Issa's Paisley-print blouses teamed with cropped cartoonish trousers.

Textural tension

If garish prints in cartoon colours send you running for cover, then textured prints offer another way in. Think a kind of three-dimensional bricolage of jewels, embroidery and fluffy fabrics that creates a textured pattern. Channel Chanel with cross-hatched patterned tweed trousers alongside checked or striped bejewelled knitwear. Or if that's too proper then take a leaf out of Marc Jacobs's book with some grungy clutter – multicoloured Paisley prints, wool jackets and glittering tinsel scarves, all in oversized proportions. Bring it all together with an autumnal palette of burnt orange, bright pink and boozy purple.

Neat and Tidy

A sleeker silhouette may be more up your street, if so, go for tidy tailoring with a mix of tongue-in-cheek geometric prints, such as reworked Paisley, graphic squares, honeycomb grids… Don't be afraid of some primary colour and Warhol-esque brights. Illustration obsessive Mary Katrantzou, showed zingy clashing prints designed with a graphic spirit of ruler-like precision and calculated irregularity. Opt for tidy designs such as tailored cigarette pants, a soft silk shirt or a lightweight knit.

Closer than close

Is it the ultimate clash or ultimate cop-out? Tone down (or up) the clash by rocking prints that are as similar to each other as possible. Take Basso & Brooke's houndstooth prints against triangular checks, or Miu Miu's layers of caramel square and circular checks. Go for prints that are enigmatic variations on a reassuringly common theme: wide stripes with pencil-thin ones or ditzy florals against broad, painterly, expansive blooms. They're from the same gene pool and can be best of friends, but sometimes they clash like hell.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in