Breaking ground

Florals are a tried, tested but somewhat tired fashion trope – but not this season, as all manners of designers give them all manners of makeovers. Alexander Fury plucks the best of the bunch of the season’s reimagined blooms

Alexander Fury
Friday 08 April 2016 11:36 EDT
Comments
Prada Spring-Summer 2016
Prada Spring-Summer 2016

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Florals for spring? Eschew your Devil Wears Prada-inspired sneer, because they can be ground-breaking. Or, at least, they can look new. A few years back, Christopher Kane presented a spring/summer 2014 show whose foliate inspirations were the very definition of abstract. Utilising school biology illustrations, Kane embroidered cross-sections of flowers, or even wove them into lavish, laborious and Latin-annotated laces, while simple sweatshirts were adorned with bisected blooms or words like “PETAL” in lace-inlaid block capitals. It was the familiar floral motif presented in a way we’d never seen before, and it was electrifying.

Fast forward to spring 2016, and everyone’s at it – rethinking foliage motifs, and trying to make them modern, exciting. Fresh flowers. Mary Katrantzou amped-up the contrast on flower-pricked fields and starry skies, blending the two together in dresses that, with undulating folds of fabric, themselves resembled strange tropical blossoms. Erdem turned his brocades inside-out In fuzzy fils-coupe, giving flowery fabrics a three-dimensional feel. And Christopher Kane once again abstracted them, into giant two-dimensional cut-out flowers that wound up looking a bit like fried eggs.

Even common-or-garden flowers are being reinvented by canny frock-merchants. Vetements – the much buzzed-about and even more copied Paris-based collective – hit a home-run with a traditional floral pattern cut into a baggy, saggy dress, with ruffles and tie-neck. Sounds frumpy – and it could be. But somehow, on everyone, it seems achingly cool (horrible word, but no other option). Meanwhile, Alessandro Michele’s Gucci has strewn posies of three-dimensional flowers across evening dresses – his signature being a corsage clasping the throat. Easily imitated, especially if you still have them from the last time they were fashionable (Chanel also offers a chic line in pin-on camellias – each hand-made in Paris).

Variety marks this trend out, with high street and high fashion designers equally thinking outside of the box. Expect to see florals fractured into patchworks, blown-up into placement prints where a single bloom spans the entirety of a garment, or embroidered onto unexpected garments, like slick leather biker jackets or utilitarian sweatshirts. Oh, and for the more traditionally-minded, it also means you can take your pick from flower-flecked frocks. This spring/summer season surrenders some of the prettiest for years.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in