EYE SIGHT

Liese Spencer
Friday 09 May 1997 19:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

After a lifetime's study, two years designing equipment and three years spent shooting knee-high to a grass-hopper, French biologists-turned- film-makers Claude Nuridsany and Marie Perennou have completed Microcosmos - which is released on Friday - a film which takes one tiny patch of French meadow and turns it into Jurassic Park. There's no computer- animated trompe l'oeil in this epic, however, just magnified moments from a day in the life of exotic A-list aphids, and such camera-hungry starlets as Ladybird with Seven Spots, Argiope Spider and Rhinoceros Beetle. If just reading this cast of creepy-crawlies has you reaching for your insecticide, fear not. Aware of popular "pest" preconceptions, the sympathetic film-makers have avoided "carnage, hunting and moments of violence" for a rather more lyrical view of their

miniature movie stars. Instead of the documentary myth of a world that is "cruel, amoral, terrifying", viewers will be treated to such tender moments as slimy snail love on a moss bed, and an ant struggling to drink a dewdrop. Only the occasional aerial shot breaks the movie's mesmerising bugs'-eye view which, unencumbered by any Attenborough-style hallowed whispering, lets one ponder in peace such compelling pastoral scenes as ants milking greenflies for their nectar. Nuridsany and Perennou's attempts to "rehabilitate the reputation of insects" has paid off in France at least, where the movie has already attracted an audience of more than 2.5 million. So whether you're an amateur entymologist or a Little Miss Muffet go, you'll have a field day.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in