Disney: readers reply

Last week Jonathan Glancey railed against the worldwide grip of the Mouse ...

Sunday 21 July 1996 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

One thing we don't need about Disney is the implicit and persistent representation of the British as the baddies. All his heroes and heroines speak American, but all his major villains have an English accent. I hadn't noticed until my daughter-in-law drew my attention to it, but since then it has stuck out like the proverbial sore thumb. Would I be right in suspecting that I was not the only one who had failed to spot this contribution to the alleged special relationship?

John Berridge

Dundee

Yes, we do need Disney! For most children, their first real introduction to wildlife is via a Disney cartoon. Can it therefore be so terrible if that first memory stays with them? If there are any subliminal messages tucked away in Disney cartoons perhaps they're not so bad after all. If like me you leave the cinema having fallen in love with Bambi and Thumper, you'll find it impossible ever to do anything that could endanger the real Bambis and Thumpers in the wild.

S Stiling

Nottingham

With the resources to model Pocahontas after Christy Turlington and stretch her out all over the globe, what about spending a little on some research into the representation of her culture? Does the cryogenically preserved perversion know that 70 per cent of native American tribes were matriarchal, or that she sat on a Black Lodge council that voted to save John Smith's life? Where were her Mother Elders in Disney's cartoon? Even in school we learned that their alleged romance was bunk. In fact, the little princess married an Englishman, John Rolfe.

Thanks for another nail in the coffin of feminist icons, Uncle Dis.

Marianne Hyatt-Jones

London N16

In Esmerelda, Disney has depicted a woman who is mature, brave and kind, protecting the innocent and outcast, even at risk to herself. Good characters in the story see her that way and value her for those moral qualities. The villain sees her as an evil temptress, inflaming his vicious passions. Part of his villainy is the way he sees Esmerelda. My four-year-old came out of the cinema loving Esmerelda because she was good, knowing Quasimodo was good and his ugliness a misfortune, and that adults can pretend to be kind, while being truly evil. Well done, Disney. Thank you.

Sara Clarke

Hayfield, Derbyshire

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in