DANCE With John Percival

John Percival
Friday 14 February 1997 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Birmingham Royal Ballet, Hippodrome, Hurst Street, Birmingham (0121-622 7486) 19-22, 28 Feb, 1 Mar The Sleeping Beauty; 25-27 Feb Dream/Song; then touring

What's this? Birmingham Royal Ballet, our most creative company, putting on two programmes of old works? Well, with two entirely new ballets already premiered during the autumn tour, and at least three more to come in the summer, nobody should complain if they use the spring tour to redress the balance. And, actually, one of the golden oldies on show is new to this company's programmes: Kenneth MacMillan's Song of the Earth, created for the Stuttgart Ballet in 1965 and regarded by many as his finest work.

With its atmospheric treatment of Mahler's monumental song cycle, this forms part of a double bill with one of Frederick Ashton's most popular ballets, The Dream, first seen on Shakespeare's 400th birthday in 1964. This translates the comedy and romance of the Bard's midsummer-night adventures into an hour of amazingly inventive dance to the music of Mendelssohn. The programme is BRB's contribution to Birmingham's celebration of the 1960s as part of the 10-year "Towards the Millennium" festival.

Completing the spring repertoire is The Sleeping Beauty in a revival of the sumptuous production by Peter Wright and Philip Prowse. Fans captivated by the photograph of BRB's new ballerina Agnes Oaks featured in all the advertisements will be disappointed, since she is once again suffering from an injury; but even without her, the company can put out six casts to share the role of Aurora, and her husband Thomas Edur (also on the posters) will be one of the line-up of handsome chaps playing the Prince.

EYE ON THE NEW

Meanwhile, BRB's director David Bintley is busy preparing another new work - for the Stuttgart Ballet. It features six men, six women, dancing to Beethoven's Diabelli Variations. The premiere is set for April. In return, Birmingham next autumn will receive the highly dramatic Edward II which Bintley made for the Stuttgart company in 1995.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in