DANCE

Compania Antonio Gades

Louise Levene
Friday 02 May 1997 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Compania Antonio Gades play the Royal Concert Hall, Glasgow (0141- 287 5511) 6-10 May; Sadler's Wells at the Peacock Theatre, London WC2 (0171-314 8800) 13 May-8June

You've got to hand it to them. Spain has got itself a fantastic press agent. Only 15 years ago, Spain was naff beyond belief and served as shorthand for cheap package holidays, filthy wine, bogus champagne and tawdry floorshows. Suddenly everything changed and soon you couldn't move for articles about the undiscovered Benidorm, the thrifty pleasures of Cava and where to find the best caracoles. Like Bob Monkhouse and the anorak, Spain went all the way through naff and came out the other side. I blame Robert Elms. All this has been good news for Majorcan hotel-keepers, Rioja importers and touring flamenco troupes.

Antonio Gades, veteran flamenco showman, brings his company to Britain next week, first to Glasgow and then to London. Most flamenco shows stick to the basic tablao format of song, guitar and dance, but Gades manages the difficult trick of using the dance in a narrative context. There are plenty of stories that can't be told by flamenco dancers but Gades has wisely selected simple melodramas which translate well into dance. In Glasgow, the company perform a version of Fuenteovejuna, Lope de Vega's 1614 play in which the brutal exercise of droit de seigneur triggers a peasants' revolt. In London they dance Carmen.

In 1983 Gades and his collaborator, the film director Carlos Saura, found a way to re-tell Merimee's tale of sexual jealousy which updated the narrative while staying true to its soul. Gades reworks the story as a backstage drama in which Don Jose and Carmen are both dancers rehearsing the work. The result is a major achievement that proves that flamenco has a far wider expressive range than it is usually given credit for. At 60, Gades remains an extraordinary performer, and he is superbly matched by the remarkable Stella Arauzo.

EYE OFFER

Independent and Eye readers in Glasgow can buy two higher-price tickets (normally pounds 17.50, pounds 20 or pounds 22.50 each) for the price of one for the performance of Fuenteovejuna at the Royal Concert Hall on 6 May by ringing 0141-287 5511 and mentioning this offer. London readers can buy top-price tickets (normally pounds 32.50 each) at a discounted price of pounds 25 for the performance on 13 May at the Peacock Theatre by ringing 0171-314 8800. Subject to availability

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in