Centrefold: In at the deep end: Underground artists come out to play

Clare Bayley
Thursday 07 July 1994 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Never mind the Proms or productions of Shakespeare in historic houses, this week sees the resurfacing of London's underground artists, as robustly counter-cultural as you could hope for. Based at a converted swimming-pool, now the Bridewell Theatre just off Fleet Street, London Underground plumbs some of London's murkier cultural depths. Poet and author of Downriver, Iain Sinclair masterminds a collection of literary and performance events under the title Subversion on the Street of Shame (14-16 Jul), artist Heath Bunting creates a computer installation exposing a secret geography of London (12 Jul), and Loophole Cinema presents Down There (8-9 Jul), with its usual combination of projection, video, shadow-play and sampled sound (right).

'The name Loophole comes from the fact that we make cinema which isn't cinema,' explains a jovial Greg Pope, founder member of the group. The name is also a reference to its origins as Situation Cinema in Brighton in the mid-Eighties. 'About 20 of us got together and realised that between us we had about eight projectors and 10 cameras. So we hired a pub theatre, set up lots of loops of Super 8, and while they ran had a honky-tonk piano playing and clog-dancing, like a happening. It wasn't quite my original idea, but that was probably a good thing,' he quips.

On one occasion, 10 people with cameras surrounded a prehistoric stone ring on the South Downs near Brighton and filmed as they walked towards it. The resulting footage was projected in a ring which the audience would walk into, and see their shadows interacting with the film.

'We mainly do events in disused buildings where audiences can't sit down,' says Pope by way of explanation as to why audience interaction is so important to Loophole's work. The derelict buildings which the group has used to date include an old tannery on Bermondsey Street, a 200ft munitions factory space in Germany and an abandoned tower block in Birmingham. Compared to this, a converted swimming-pool might seem almost tame. 'It's a fascinating space,' enthuses Pope. 'There's a void underneath the stage where the pool used to be, and we know there are labyrinthine tunnels beneath the building. There was a well sunk, that's why it's called Bridewell, there's the Wren church of St Bride next door, and the river Fleet which runs underneath Fleet Street. Down There uses as much of the atmosphere of the place as possible'.

London Underground at the Bridewell, EC4 (071-936 3456) to 16 Jul

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in