Mahler

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Extracted from Michael Steen’s book The Lives and Times of the Great Composers, these concise guides, selected by The Independent’s editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time.

Mahler's brilliance as a conductor has never been in doubt. Tyrannical and difficult, he immeasurably improved standards of musical performance, and was partly responsible for revolutionising how operas are presented. But it is only relatively recently that his genius as a composer has come to the fore. His epic symphonies and the song symphony Das Lied von der Erde only really began to be enthusiastically appreciated after the Second World War, by audiences who could relate to the complicated and angst-ridden world they evoke.

Michael Steen traces the twists and turns of Mahler's life, lived out in the decaying Habsburg Empire with its constant rumbles of anti-Semitism. After a hard childhood, Mahler went to study in Vienna. Despite the disadvantage of his Jewish birth, he eventually secured top conducting positions, first in Hamburg, then in Vienna and New York. In the spare time of the career of a conductor as great and extensive as Toscanini himself, he succeeded in composing ten symphonies of immense range and reach. He also had an exceptional number of successful love affairs, although his marriage to Alma Schindler, ‘the most beautiful girl in Vienna’, and nearly twenty years younger than him, did not work out well. His struggles during the great years at the Imperial Opera, the climax of his conducting achievement, were compounded by the anti-Semitism prevalent in the prosperous, but superficial, fin-de-siècle Vienna.

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