POP / Riffs: Carleen Anderson on Sly and the Family Stone's 'If You Want Me to Stay'

Carleen Anderson
Wednesday 26 January 1994 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

THIS is a great tune because of the movement in it. It's the usual stuff of a church band - guitar, drums, electric bass, organ, tambourine - and it's got that church arrangement, very repetitious, the guitar and keyboards playing the same chords over and over. My father, Reuben Anderson, was apprenticed to Sly Stone's father in his ministerial training at the Church of Christ in God, so this reminds me of home. What makes it move is the melodic bass line, which is countering Sly's vocal melody, pulling in the other direction. This gives him the room to be creative with his vocal melody, so you don't get bored with the unchanging rhythm.

Lyrically, it's slight: 'If you want me to stay, I'll be around today, / To be available for you to see, / But I've got to go, And then you'll know, / For me to stay here I've got to be me.' He has a high voice which is scratchy - you guys would say gravelly. His tone's in between the sweetness of Marvin Gaye or Al Green, and the hard-edged sound of Wilson Pickett or Rufus Thomas. He flows easy through the vocal performance. There's a little instrumental break, then he ends with a scat, da da da da, and 'I'm through, y'all.'

Available on 'The Best of Sly and the Family Stone' (Epic CD4717582)

(Photograph omitted)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in