Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Mona Lisa copy was painted by Leonardo's pupil

 

Dale Fuchs
Thursday 02 February 2012 06:00 EST
Comments
The imitation was found in the Prado, Spain’s national art museum in Madrid
The imitation was found in the Prado, Spain’s national art museum in Madrid (Museo Nacional del Pradi)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Mona Lisa at the Prado in Madrid was thought to be just another fine copy, with added eyebrows and an odd black background.

But curators at Spain's national art museum yesterday announced a startling discovery: the painting was actually executed by an artist in Leonardo da Vinci's workshop at the same time as the original.

It is the first known copy of the perhaps the most famous painting in history and a discovery that curators believe sheds new light on the creation of the enigmatic masterpiece.

Deputy conservator Gabriele Finaldi said: "It's as if we were standing in the workshop itself and at the next easel," before adding: "You can see that the artist was working step by step with Leonardo. When Leonardo made a change, he made a change."

The simultaneous copy sits in a dimly-lit storage room awaiting the finishing touches of a two-year restoration, during which its true origin was revealed. Curators decided it needed a facelift because it was going on loan to the Louvre for an upcoming exhibit in March. Following X-ray and infrared studies, they were surprised to find a landscape hidden beneath the dark paint behind the subject.

Conservators believe the artist could be Francesco Melzi, one of Leonardo's favourite pupils. "When you look at the copy, you can imagine that this is what the Mona Lisa looked like in the 16th century," Mr Finaldi continued. "It's not just the details and the colour use. It has also been protected from light and dirt for centuries. So what you see if a very reliable appearance."

Miguel Falomir, chief conservator for renaissance painting, said: "When the X-ray revealed the landscape, we saw it was in absolutely extraordinary condition." He continued: "It was the most surprising thing to emerge in the conservation workshop in the 14 years I've been at the Prado."

The copy has belonged to the Prado Museum at least since 1666.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in