VIDEO

Anthony Quinn,Laurence Earle
Saturday 12 June 1993 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Blade Runner: the Director's Cut (15; Warner Home Video). Shorter and less daft version of Ridley Scott's grand fantasia, first released 10 years ago. Still has its longueurs, but with the sunny climax chopped out, this musty mood-piece can now settle down to cast its throbbing, anaesthetic spell. Anthony Lane

Schtonk] (15; Artificial Eye). A spoof on the Hitler diaries affair, Schtonk] lays about those involved - scoop-crazed hack, incompetent forger, megalomaniac tycoon - with a heavy satirical broadsword. Director Helmut Dietl seems to be making a point about collective gullibility, but the film's way with a gag is so thumpingly crass we soon cease to care what the point might be. Anthony Quinn

Yojimbo (PG; Connoisseur). Akira Kurosawa made this tale of a samurai (Toshiro Mifune) working for both sides in a small-town conflict in 1961 as an homage to the westerns he so admired. It's a neat twist that his story was then re- made as A Fistful of Dollars, one of the most successful westerns ever. A great film, and the perfect introduction to the director's work. Laurence Earle

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in