The Great British Sewing Bee, review: This pale imitation of Bake-Off needs some urgent alterations

Tonight's show featured "Structure Week" and a corset challenge

Ellen E. Jones
Thursday 26 February 2015 19:00 EST
Comments
Material world: May Martin, Claudia Winkleman and Patrick Grant in ‘The Great British Sewing Bee’
Material world: May Martin, Claudia Winkleman and Patrick Grant in ‘The Great British Sewing Bee’ (BBC)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

As the third series The Great British Sewing Bee gathers pace, two people will be dismissed at the end of the challenges instead of the usual one, and that's not all. As presenter Claudia Winkleman informed us, there were more men than women trying to make it to the semi-final, "for the first time in Sewing Bee history". All three years of it.

What better way to mark such a momentous occasion than "Structure Week" and a corset challenge. "Making a corset is not difficult, you just have to be really, really precise," said judge May Martin, not at all reassuringly. The only contestant who didn't appear fazed by "the only garment in history that could kill" was 21-year-old student Ryan. "Ryan is clearly a bit of a corset expert," observed fellow contestant Neil darkly. "He's got a devious past, that's all I can say." Although, since Neil later gave us a glimpse of his own devious past – "I've made a wedding dress that was based on a corset. It was for my driver many years ago when I was travelling around the mountains of Bosnia" – he's hardly one to talk.

This first round was also enough to finish off poor Amanda. While everyone else was making corsets she was making a rod for her own back with that bias binding. Two more mistimed challenges followed and her eventual elimination surprised no one, least of all deputy head teacher Amanda. She took it all with the resignation that fellow professionals will recognise as a symptom of PTOD (Post-traumatic Ofsted Disorder).

Contrast with young Ryan, who began weeping halfway through the alteration round, even though his racy all-in-one was easily the most fashionable, if not quite finished. Did he deserve to join Amanda out on the Sewing Bee wharf? Not really, but at least it was a surprise in an otherwise predictable programme.

"This is getting boring now,' said Matt, as Neil's cerise cocktail dress won the alteration round. By the time his kilt was also named "Garment of the Week", I had to agree. Never mind 1980s power suits, it's these Bake-Off spin-offs that need restructuring. An underskirt of crafting skill, an overlay of expert opinion, all stitched together with some presenter-led innuendo; it's getting a bit boring now, isn't it?

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in