Game of Thrones season 6 episode 10 finale review: Stories tied up to varying degrees of success
Several storylines were paid off, though perhaps a little too succinctly
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Trying to juggle so many sub-plots at once, Game of Thrones really needs to be airing 15+ episode seasons to deal with each of them properly (I’d be fine with that), but if anything is cutting down to fewer in coming seasons.
It’s a shame, because when an episode dips into just one to three plot strands (e.g episode 9 ‘The Battle of the Bastards') it’s incredibly successful and you get the depth you want, but when it lurches around Westeros and Essos - five minutes here, five minutes there - you feel like you’re getting the TL;DR version of the scene, the end result of zealous script editing.
The final episode of season 6 - ‘The Winds of Winter’ - got off to a good start, opening on Cersei’s trial - the tension building with a brilliantly ominous organ score. As Cersei very much chose violence, it was a shame we didn’t get to see Margaery ever show her hand, nor see Tommen ever actually speak his mind, but the King’s Landing blast was a treat for the eyes and made you hoot on your sofa as Cersei calmly sipped her wine, looking on with glee.
Tyson’s ‘Hand of the Queen’ scene was also quite touching and the Tower of Joy flashback wrapped up nicely - adding to the rousing atmosphere in Winterfell as various houses declared Jon Snow King in the North regardless of his parentage.
Elsewhere, however, it all felt a bit rushed. Melisandre was quickly exiled despite her good work at the Wall, Sam was swiftly dumped in a library and Arya got such clinical revenge for the Red Wedding that it didn’t really pack an emotional punch. Merely removing her mask, stating her name and slicing Walder Frey’s throat, the death scene came with none of the satisfaction of, say, Jofrrey’s or Ramsay’s.
It’s unfair to say that Game of Thrones is only ever setting up for the next episode/season a la Lost, given how impressive and emphatic the Battle of the Bastards was, but it is a little guilty of centring on ‘what happens next’ rather than ‘what happens’.
While a Sopranos or a Breaking Bad left you dwelling on what you’d just witnessed, it’s quite telling that the end of a GoT season is immediately met with thirst for a release date for the next one.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments